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E-raamat: to Z of Creative Writing Methods

Edited by (RMIT UNiversity, Australia), Edited by (RMIT University, Australia), Edited by (University of Melbourne, Australia), Edited by (RMIT University, Australia), Edited by , Edited by (RMIT University, Australia)
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The A to Z of Creative Writing Methods is an alphabetical collection of essays to prompt consideration of method within creative writing research and practice.
Almost sixty contributors from a range of writing traditions and across multiple forms and genre are represented in this volume: from poets, essayists, novelists and performance writers, to graphic novelists, illustrators, and those engaged in multi-media writing or writing-related arts activism. Contributors bring to this collection their distinct and diverse literary and cultural contexts, defining, expanding and enacting the methods they describe, and providing new possibilities for creative writing practice.
Accessible and provocative, A to Z of Creative Writing Methods lays bare new developments and directions in the field, making it an invaluable resource for the teachers, research students and scholar-practitioners in the field of creative writing studies.

Arvustused

The collection of essays is an invitation to write by engaging with a syncretic collection of tropes and methods ranging from the use of archives and folklore as launch pads to writing activities to the process of queering texts. It also promotes the unmooring of writing from defined spaces by using concepts such as erasure, nonhuman imaginaries, uncertainty, unknowing and many more. These are exciting approaches to writing, proving that the literary creative process has always been multifaceted and inclusive. The book is a nudge to every person who wants to write creatively. * Lily Rose Tope, University of the Philippines Diliman, Philippines *

Muu info

An in-depth glossary offering explanations of more than fifty innovative practices and methods through which a writer may understand and practice new approaches to writing creatively.
List of contributors
viii
Acknowledgement of country xvi
Acknowledgements xvii
Introduction Deborah Wardle, Julienne van Loon, Stayci Taylor, Francesca Rendle-Short, Peta Murray, David Carlin 1(6)
Archival-poetics Natalie Harkin
7(3)
Aswang Allan N. Derain
10(3)
Atmospherics Kathleen Stewart
13(3)
Braiding Catherine McKinnon
16(4)
Bricolage Dominique Hecq
20(3)
Bung wantaim Steven Winduo
23(4)
Camping Soile Veijola
27(3)
Character Lina Maria Ferreira Cabeza-Vanegas
30(3)
Chorality Martina Copley
33(4)
Code Benjamin Laird
37(3)
Collaboration Quinn Eades
40(3)
Collecting Ander Monson
43(3)
Communitas Francesca Rendle-Short
46(3)
Dialogue Cath Moore
49(3)
Drawing Sarah Leavitt
52(2)
Ekphrasis Sarah Holland-Batt
54(3)
Ensemble Shuchl Kothari
57(3)
Erasure Nha Thuyei
60(3)
Experience Kiri Gislason
63(3)
Experimentation Collier Nogues
66(3)
Facilitator Ali Cobby Eckermann
69(2)
Fade out Stayci Taylor
71(3)
Feelings Erik Knudsen
74(3)
Flow Mary Cappello
77(3)
Ghost Weaving Paola Balla
80(3)
Hybrid Marion May Campbell
83(3)
Imagination Paula Morris
86(3)
Iterative thinking Ames Hawkins
89(3)
Juxtaposition Wendy S. Walters
92(3)
Keepsake Fiona Murphy
95(3)
Listening Mariorie Evasco
98(3)
Listing David Carlin
101(3)
Memory work Maria Tumarkin
104(3)
Metaphor me Selina Tusitala Marsh
107(4)
Nonhuman imaginaries Deborah Wardle
111(3)
Not-knowing Julienne van Loon
114(3)
Notebooking Safdar Ahmed
117(3)
Observation Stephen Carleton
120(3)
Paragraphing Delia Falconer
123(3)
Permission Tina Makereti
126(3)
Phototextuality Karen L. Carr
129(3)
Play Nicole Walker
132(2)
Preposition Martin Villanueva
134(4)
Procrastination Aritha van Herk
138(3)
Queering Marion May Campbell, Lawrence Lacambra Ypil, Francesca Rendle-Short, Deborah Wardle, Ames Hawkins, Quinn Eades, Stayci Taylor, Peta Murray, Natalie Harkin, Antonia Pont and Anonymous
141(3)
Radical effrontery Jeanine Leane
144(3)
Reading Belinda Castles
147(3)
Resistance James Byrne
150(3)
Rites Manola-Gayatri Kumarswamy
153(4)
Sensing CM Burroughs
157(3)
Speculation Robin Hemley
160(3)
Taxonomy Lavanya Shanbhogue Arvind
163(3)
Translation Runar Helgi Vignisson
166(3)
Uncertainty Lawrence Lacambra Ypil
169(3)
Vocabulary Peta Murray
172(4)
Writing-foreign-language Fan Dai
176(3)
Xenos Nike Sulway
179(3)
Yoga Antonia Pont
182(3)
Zim Alvin Pang
185(3)
Index 188
Deborah Wardle has fiction, nonfiction and peer-reviewed articles in Australian and international journals. Deborah teaches at RMIT University and University of Melbourne. Her PhD thesis explores the ways climate fiction expresses the voices of more-than-human entities, particularly groundwater. Her book with Routledge Subterranean Imaginings: Groundwater Narratives is due 2023.

Julienne van Loon is Associate Professor in Creative Writing at RMIT University, Melbourne, and Honorary Fellow in Writing at the University of Iowa. Her research interests include feminist literary practice, contemporary narrative fiction and literary value. Publications include The Thinking Woman (2020), Harmless (2014), Beneath the Bloodwood Tree (2008), and Road Story (2005). She is managing editor at TEXT: Journal of Writing and Writing Courses, see https://textjournal.scholasticahq.com/

Stayci Taylor is Senior Lecturer at RMIT University in the School of Media and Communication. Her research interests include screenwriting, script development, nonfiction and creative practice. She has published in all of these areas, in both scholarly and creative outlets, and often through the lenses of gender and comedy. She is lead editor of The Palgrave Handbook of Script Development (2021).

Francesca Rendle-Short is Professor of Creative Writing in the School of Media and Communication at RMIT University. She is interested in a research practice that seeks to subvert normative practices, one focused on ethical enquiry. She is co-founder of non/fictionLab and WrICE (Writers Immersion and Cultural Exchange). Her five books include The Near and the Far (Vol I and II; 2016, 2019) and Bite Your Tongue (2011).

Peta Murray is Lecturer in Creative Writing at RMIT University, Melbourne. Her research focus is the role oflanguage and arts-based practices as modes of inquiry and forms of cultural activism. Publications include plays such as Salt (2001), fiction including Indigestion (2010), collaborative, queer and multi-modal works of live art such as vigil/wake (2019), and adventures in the essayesque, Glossalalalararium Pandemiconium (2020).

David Carlin is Professor in Media and Communication at RMIT University. Co-founder of WrICE and non/fictionLab, his research interests include essaying and hybrid, collaborative and ecocritical forms and methods. Recent books include The After-Normal: Brief, Alphabetical Essays on a Changing Planet (2019) and 100 Atmospheres: Studies in Scale and Wonder (2019).