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E-raamat: First-Person Journalism: A Guide to Writing Personal Nonfiction with Real Impact

  • Formaat: 210 pages
  • Ilmumisaeg: 11-Nov-2021
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000474985
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  • Formaat: 210 pages
  • Ilmumisaeg: 11-Nov-2021
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000474985
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A first-of-its-kind guide for new media times, this book provides practical, step-by-step instructions for writing first-person features, essays, and digital content.

Combining journalism techniques with self-exploration and personal storytelling, First-Person Journalism is designed to help writers to develop their personal voice and establish a narrative stance. The book introduces nine elements of first-person journalismpassion, self-reporting, stance, observation, attribution, counterpoints, time travel, the mix, and impact. Two introductory chapters define first-person journalism and its value in building trust with a public now skeptical of traditional news media. The nine practice chapters that follow each focus on one first-person element, presenting a sequence of "voice lessons" with a culminating writing assignment, such as a personal trend story or an open letter. Examples are drawn from diverse nonfiction writers and journalists, including Ta-Nehisi Coates, Joan Didion, Helen Garner, Alex Tizon, and James Baldwin. Together, the book provides a fresh look at the craft of nonfiction, offering much-needed advice on writing with style, authority, and a unique point of view.

Written with a knowledge of the rapidly changing digital media environment, First-Person Journalism is a key text for journalism and media students interested in personal nonfiction, as well as for early-career nonfiction writers looking to develop this narrative form.
Preface: Personal journalism for challenging times x
PART I What is first-person journalism?
1(34)
1 How I became a first-person journalist: Writing and reporting true stories
3(17)
Defining first-person journalism
5(3)
Permission to say "I"
8(2)
Is it ever too personal?
10(3)
Self-reporting: "What do I know?"
13(1)
How to use this book
14(3)
Why gonzo got it wrong--and right
17(3)
2 The ethics of personal reporting: Establishing what's true--and what isn't
20(15)
He said, she said
21(1)
The limits of objectivity
22(3)
Liars, thieves, and postmodernists
25(2)
Fictional selves versus true selves
27(2)
Embracing the active "I"
29(6)
PART II Developing an active "I" voice
35(52)
3 Locating your passion: What do I want to write about?
37(15)
Don't bore yourself
38(2)
Don't perform your emotions
40(2)
Don't scream at readers
42(3)
Cultivating curiosity: Passion for facts
45(3)
Responding to the world
48(2)
Personal story: Write about a "wart"
50(2)
4 Investigating yourself: How do I know my own story is true?
52(19)
Why memories are not facts
53(2)
Fact checking the basics
55(2)
Fact checking with family and friends
57(1)
Reporting on your "I"
58(3)
Reporting on what you haven't said
61(4)
Admitting what you'll never know
65(2)
Memory essay: Write about an early memory
67(1)
Sample story: "Hurricane Warnings"
67(4)
5 Establishing your stance: How dose am I to the story?
71(16)
From POV to first-person stance
72(2)
Determining your emotional distance
74(2)
Personal example: Reining in myself
76(2)
Addressing readers: Five stances
78(5)
Rethinking voice: Active response
83(1)
Review: Your personal take on a media work
84(3)
PART III Reporting beyond the self
87(54)
6 Observing real life: How do I describe people and places?
89(19)
Relevance versus vagueness
91(2)
Three kinds of details
93(4)
Conveying the feel of a place
97(2)
Reporting what people do and say
99(2)
Direct reporting of events
101(3)
The art of capsule description
104(2)
Local profile: Write about a neighborhood place
106(2)
7 Attributing sources: Where do my facts come from?
108(18)
What is attribution?
109(3)
Sources in first-person features
112(3)
Attribution tags and linking
115(3)
Danger! Avoid voice hijacks
118(3)
The curse of knowledge
121(2)
How-to piece: Explain with three tips
123(3)
8 Convincing readers: What's my argument and who disagrees?
126(15)
The curse of unconscious feeling
128(2)
Point-counterpoint
130(3)
Not all experts are the same
133(2)
Establishing first-person authority
135(3)
Open letter: Address a public figure or topic
138(3)
PART IV Storytelling to make an impact
141(43)
9 Moving through time: How have I and the world changed?
143(14)
Sequence: What comes first?
145(2)
Chronology: Orienting readers in time
147(3)
Time machine: Shifting between past and present selves
150(3)
Trends: Personal and cultural
153(2)
Personal trend story: Write about changes in food, music, or weather
155(2)
10 Organizing a story: How do I mix everything together?
157(15)
What's in the mix?
159(1)
Classic feature formula: Lead + nutgraf
160(5)
Scene breaks and dramatic tension
165(2)
Essays: Emotional journeys
167(3)
New mix: Feature or essay?
170(1)
Sample outline: "Why I'll Never Surf Again"
170(2)
11 Revising for impact: What do I really want to say?
172(12)
Test your idea: Pitching
174(2)
Focus your idea: Taglines
176(2)
Focus your voice: Cutting and selecting
178(2)
Connect to the world: Your impact
180(1)
Story revision: Complete a feature or an essay
181(1)
Impact plan: How do you know?
182(2)
Endnote: Witnessing the world with empathy 184(5)
25 Rules: First-person journalism 189(1)
Index 190
Martha Nichols cofounded Talking Writing, a nonprofit digital magazine. A longtime writer, journalist, and editor, she is a faculty instructor in journalism at the Harvard University Extension School. She is also the editor of and a contributor to Into Sanity: Essays About Mental Health, Mental Illness, and Living in Between.