| Preface |
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11 | (2) |
| Introduction |
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13 | (14) |
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Part I Animal Experimentation |
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1 Animal Experimentation and Ethics in the Early Modern Era |
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27 | (10) |
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2 Christiaan Huygens and Animal Experimentation |
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37 | (12) |
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Part II From Philosophy to Historiography in the Enlightenment |
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3 The Turkish Spy and Eighteenth-Century British Theriophily |
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49 | (14) |
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63 | (8) |
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5 William Smellie and the Enlightenment Critique of Anthropocentrism |
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71 | (18) |
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6 John Gregory and Scottish Enlightenment Views of Animals |
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89 | (16) |
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7 Buffon, Crevecoeur, and the Limits of Enlightenment Sensitivity to Animal Suffering |
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105 | (8) |
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8 Animals in Enlightenment Historical Literature |
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113 | (22) |
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Part III Art and Economics |
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9 Seventeenth-Century Netherlandish Paintings of Dead Animals and Changing Perceptions of Animals |
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135 | (26) |
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10 Adam Smith and the Economic Consideration of Animals |
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161 | (12) |
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11 From Symbols to Commodities: The Economization of Animals in the Transition to Modernity |
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173 | (46) |
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219 | (26) |
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245 | |
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Figure 1 Jan and Kasper Luiken, "De Vleeshouwer", in Het Menselyk Bedryf (Amsterdam: Johannes and Caspaares Luiken, 1694), p. 43, © The British Library Board, shelfmark 12331.dd.1 |
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139 | (3) |
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Figure 2 Jan Baptist Weenix, A Dog and a Cat near a Partially Disemboweled Deer, 1645-1660, oil on canvas, 70.9 x 63.8 in., Rijksmuseum, Amsterdam |
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142 | (2) |
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Figure 3 Annibale Carracci, The Butcher's Shop, 1680s, oil on canvas, 70 x 105 in., The Picture Gallery, Christ Church, Oxford |
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144 | (1) |
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Figure 4 Frans Snyders, Larder with a Servant, 1635-1640, oil on panel, 551/2 x 781/2 in., Mead Art Museum, Amherst College, Amherst, MA, Museum purchase Accession No.: AC 1962.20 |
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145 | (2) |
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Figure 5 Rembrandt Harmenszoon van Rijn, The Slaughtered Ox, 1655, oil on panel, 37 x 27 in., Musee du Louvre, Paris; Photo (C) RMN-Grand Palais / Tony Querrec |
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147 | (2) |
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Figure 6 Jan Fy t, A Partridge and Small Game Birds, 1650s, oil on canvas, 181/4 x 141/4 in., The Metropolitan Museum of Art, New York |
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149 | (1) |
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Figure 7 Jan Baptist Weenix, A Dead Partridge, c. 1657-1660, oil on canvas, 20 x 17 in., The Mauritshuis, The Hague |
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150 | (1) |
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Figure 8 Jan Weenix, Gamepiece with a Dead Heron ("Falconer's Bag"), 1695, oil on canvas, 52% x 43% in., The Metropolitan Museum of Art, New York |
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151 | |